ESP | ENG
ESP | ENG
ESP | ENG
ESP | ENG
ESP | ENG
ESP | ENG

Programs

Thinking our consequences

During the development of our programs, we found the need to criticize the consequences of our actions in the art scenes and community. We became involved in order to build new relationships and methodologies that allow us to generate a network of collaboration and cooperation.

This program was born from our disagreement with the local art scene and our concern to build critical thinking towards our own work within contemporary art research. Formally, we propose the program as a residence or laboratory. However, we prefer to be a space to build moments / meetings / dialogue / creations, that keep us in constant criticism of the local art system.

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Graphic Correspondences

The global health emergency has implied rethinking work strategies in the different areas, and artistic creation is not alien to this new scenario. Correspondence and virtual connection have become an indispensable part of the new coexistence, and have directed human communication to a new spectrum that can transform the work of many people around the world. The characteristics of contemporary engraving provide us with communication and collaboration tools that allow us to give continuity to graphic production in order to respond to the challenges that the new normality faces us.

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Experience, Truth and Art

Cycle of presentations in order to show projects that were carried out by senior students of Visual and Plastic Arts degree (Prom 2016). Which gives us a perspective of their artistic aspirations outside the university.

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Todos Vuelven

As a celebration of Correlacion Contemporanea 4th anniversary, the work team organized a series of interviews with artists, teachers and managers who have participated in our programs. Those interviews were live through the social media INSTAGRAM and were based on experiences as a program or residency participant.

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Portfolio review

Correlación Contemporánea used to coordinate portfolio reviews with curators and space managers such as PLATAFORMA CANÍBAL to carry out the portfolio review by the curator Jaider Orsini (Colombia) in order to create a space for the visualization and analysis of young artists work.

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